PROJEKT CASA
The collective "CASA Experiential Exhibition", a joint work of five Brazilian female artists residents of Berlin, had its opening on the 07th of May (2022) at Neurotitan Gallery (Mitte, Berlin), lasting for 21 days. The interdisciplinary artists Elissa de Brito (Audiovisual/Movement Based Artist), Fernanda Valdivieso (Actress/Performer), Júnia Matsuura (Dramaturgist), Mariana Bahia (Sound Artist) and Madár (Writer/Researcher) proposed multimedia affective narratives surrounding the female migrant experience, building a sensorial space assembling a "home away home".
The exhibition, located in the center of Berlin, embraced Elissas' immersive dance audiovisual installation, Fernanda's long-durational performance, as she inhabited the space for three weeks and transformed it into her own house; Júnia exhibited a video-essay together with a postcard wall installation, combined with weekly reading performances; Mariana developed an immersive sound installation that touched upon affective memories of her house, family and the sea, and Madár offered an interactive installation, where passers-by could write their feelings and wishes in coloured ribbons, turning them into threads of one's own.
CASA
Experiential Exhibition
How to build a house across borders? How to feel at home when you're away from home?
CASA, the Brazilian word for house, shows us how Elissa de Brito, Fernanda Valdivieso, Júnia Matsuura and Mariana Bahia, our four Brazilian artists, built theirs: a place made with the safety of the love of friends - as Fernanda, in one fine night, wrote to us in an epiphany of poetry with a warm heart.
CASA is in itself an epiphany. It is the safety of friends in migration, friends who crossed South to North, moving lines and reimagining spaces. At CASA, room by room, each of the artists' stories intertwine with silver and blue, driven by different approaches and threaded by lines, sound, lights, colours, movement, dance, poetry, performance readings and the power of acting upon living. In an admiration for each other's pathways, our artists have rounded up the gallery into what has become a house- even if temporary - of one's own.
In such a case, even the temporality of this house is one with migration. Fernanda's inhabitance of CASA is summed as presence: temporarily or not, migrant bodies are inhabitants of the present, and each utensil, wall, framed-portraits, candles and flowers are
proofs of presence with nothing (or little) to do with temporal tenses. Yet, Mariana's installation is one of tempo: in an atmosphere made of blue lights, shells and sound tells us memories of a long-loved house, kept and unknot. Just a few more steps away, Elissa's room is an invitation for movement, recalling memories, and the sensorial realm of embodied feelings; and Júnia's White Wall asks us questions we might not have asked ourselves before; or were too blind in white to think about the Other. Just alongside Júnias' room, rests the resident researcher Madár's space: a corner of quiet with coloured ribbons, materials so often used in Brazil's major festivals; a memory of home, turned into intentions for the passers-by.
With the love of friends,
Elissa de Brito
Fernanda Valdivieso
Júnia Matsuura
Mariana Bahia (Sifonics)
and Madár